Inkspector: The Forensic Analysis of Tattoos and Ink

(First published in INKED, issue 45) When forensic inquiry is applied to tattoos, it can assist in the identification or capture of criminals or missing persons. The Forensic Analysis of Tattoos and Ink is a pioneering work detailing the methodology of this process. This is an interview with the book's author, Dr Michelle Miranda.

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Grace Neutral and Viceland

(First published in Skin Deep, issue 275. Republished in INKED, issue 45) Ahead of VICELAND’s 2017 series, Needles and Pins, Grace talks about her experiences in front of the lens, riding around LA on quad bikes with Venice Bad Boys, and what it’s like to be an ambassador for contemporary tattoo culture.

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Hong Kong Branding: The Past, The Present, The Future

(Published in INKED issue 42) “That was Ricky’s right above Pinky’s. That’s because Pinky’s had a hepatitis scare and the American navy had banned them from going there, so he just opened upstairs and called it Ricky’s. It was two shops but it was the same. They just liked names that had that “icky” sound and I just happened to be there at the right time.”

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Persian Ink: The Underground Tattooists of The Islamic Republic (Dictatorship) of Iran

(INKED magazine, issue 35) 'Tattooing in the Islamic Republic (dictatorship) of Iran' is the culmination of furtive correspondence with four brave Iranian tattooists who risk imprisonment and torture on a daily basis all for the sake of their art.

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Tattooing Under Martial Law

(Things & Ink blog, 14/12/14. Republished in INKED issue 32) ‘Yeah man, vultures on the streets shaking down people for payouts. I was headed back from a ju-jitsu session and I was told I’m a Russian selling coke around the red-light areas, [the officer] greedily stuck his hands into my gym bag to find a sweaty ju-jitsu gi! These guys’ other rackets are being squeezed by the military so they need to find other ways to buy Christmas goodies this time of year.’

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Initiation: An Ancient Ritual in a Modern World

(Things & Ink, issue 8. Republished in INKED, issue 27) ‘The first hit, your mind is full of so many thoughts; mostly you’re thinking, “Shit, what have I done; what am I doing; I can’t do this”. After a few days, I couldn’t feel my body: the pain had reached a different level. I was in another world; I was literally looking over my own body. I was simply not there.’

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Golly Golly Gosh!

(Things & Ink, issue 7. Republished in INKED, issue 28) In April of 1990, an Australian toddler had just finished unwrapping his birthday gift.  Ecstatically, he began shouting ‘Lollilog! Lollilog!’  Clutched between his two white hands was his first Golliwogg doll.  Twenty-four years later, that same little boy sits before me in a cluster of Golliwoggs, discussing the red lipped, bow-tied, black-skinned doll tattoo on his leg.

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Tattooing in Australian Prisons

(Things & Ink, issue 7. Republished in INKED, issue 28) ‘It’s another world in prison, there’s dos and don’ts out here, and then there’s dos and don’ts in there. The prison officers have control, but the prisoners are trying to have control, so there’s constant friction. You could fight it or just go with the flow. I used to just go with the flow, and do tattoos.’

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