With a rapidly increasing following of over 900,000, tattoo artist Hannah Pixie Snow has always tried to use her social media presence to advance causes of social justice and encourage cultural consciousness.
“I've done a lot of fundraising before with my old tattoo business Black Stabbath. I quickly realised I had the ability to use my large online following for something slightly less self(ie) serving and potentially more love bringing, life giving, and worthwhile!”
Love Shakthi Om, to be launched in the first week of May with partner, Guy Le Tatooer, began as Guy’s studio in Toulouse, France, and has since grown from the inspiration absorbed during their travels throughout South East Asia.
“Shakthi Om is the name of our home and tattoo studio in Toulouse, France. It means 'our cosmos,' like a small bubble in this Universe. Now we have created Love Shakthi Om, a charity project grown from the same roots of love. Although we were only friends at the time, Hannah had been working alongside this charity in Nepal around the same time I visited there myself. After experiencing the earthquake during the tattoo convention and seeing the harrowing reality of the aftermath, making a charity movement made a lot of sense for me personally. As for Hannah, the people she had already been fundraising for now needed even more help, having had their women and children’s facility turned to rubble.”
“Love Shakthi Om was born after a day at the beach in South Goa, India, January 2017. One of Hannah's closest friends passed away while we were there together. A couple of days after the phone call we went to the beach and painted a memorial [pictured above] for Jade and Joshua's family. I think after that Hannah and I were more certain than ever of how we wanted to spend our time.”
Their time is spent creating ethically produced artifacts and artworks imbued with and motivated by love, with the profits going to social causes close to their hearts.
“We strongly believe this life is about karma, sharing love, traditions, and cultures. For us, this is largely based in art, and through it we want to begin a conversation about the dire need to start living in ways that truly reflect what we all know as humanity and feel to be right deep down, lives based on more human connections, sharing love and wisdom, and caring for those around us, not the pursuit of an excess of money driven by ruthless competition.”
The not-for-profit project will raise funds and pay homage to the extraordinary people they’ve met, and continue to meet, throughout their travels. Hannah’s social media account will be transformed into a grass roots porthole allowing followers and potential donors a window into the lives of people their money will be positively affecting.
“We’re meeting real people, making real connections, and now finding ways in which we could use a seemingly virtual, somewhat weightless number of followers on a social media app to generate some real physical, positive change!”
By producing these artworks, Hannah and Guy aim to offer their followers, clients, and friends an insight into the beauty and spirituality of the Eastern cultures that have inspired their art and philosophies, although Hannah is quick to explain their appreciation, not appropriation, of the culture.
“To appropriate something, I believe, is to take unconsciously and without care or respect to further your personal agenda and selfish gain. Appreciation, however, I’d like to think, is acknowledging from where you have drawn your inspiration, and instead of relying on facts alone, using your wisdom to consider it more deeply while trying to understand the things you are marking people with or making objects of. If you actually appreciate something, you ensure it’s always an energy exchange and not an energy leech on your part.”
Cultural appropriation is something they’re both exposed to on a regular basis throughout their tattoo work, as Guy Le Tatooer explains.
“Half of the people being disrespectful aren’t even intending to. They just do what they do every other day – continue unconsciously through their day by not asking any questions, not caring enough to want to learn or understand it on a deeper level, but still wanting to be cool. Not even to be cool, but to look cool! Too many people wanting to look cool now! Instead of just doing it! People are attracted to authenticity and truth, it doesn’t matter what background we come from, what race you are or religion you grew up in, we are attracted to these powerful symbols and traditions because they are sacred – they all speak to us. But people always want a quick fix, want to appear to understand truth but we can’t be bothered to look into it for ourselves. If you can’t give respect or value to anything, even something you are going to wear for the rest of your life, then you are never going to be able to receive that level of respect back.”
“We're a lot more selective about who we let through our door now,” Hannah mentions, “it’s amazing to be able to have our closest friends and beautiful clients come over for evenings full of tattooing and home cooked vegan Mexican food, but it's more clear to us now than ever, how careful we have to be with the things we hold sacred. Our space included! It's something really special that requires a lot of balance.”
Hannah and Guy will be traveling to Nepal in May to lend their assistance, and hopefully funds they gain from Love Shakthi Om, to Raksha Nepal, a humanitarian organisation that works with sexually exploited girls, women and their children.
Love Shakthi Om launches on the 1st May, at www.shakthiom.com.
Why do the media insist on repeatedly asking if tattoos have become uncool or too mainstream? I take a look at two moments in tattoo history that help to shed light on this question: the artification and commodification of tattoo.
(First published in Forever More: The New Tattoo) Whether you are a traditionalist or progressivist, Miriam represents the quintessential nature of tattooing today, where a growing number of artists from a huge variety of disciplines are learning the trade to augment their personal oeuvre, while contributing to the field of tattooing in any which way they desire.
(First published in Forever More: The New Tattoo) Upon starting, they work independently, a technique reminiscent of surrealist André Breton’s ‘exquisite corpse’, where artists collaborate while completely in the dark of their partner’s progress. They then come together, consult over the fragmented parts, and proceed to evolve the concept and aesthetic of the final fluid mosaic.
(First published in Forever More: The New Tattoo) Preceding the Tattoo Renaissance of the 70s and 80s, the political and social climate of activism throughout the 60s in the west facilitated the birth of a new, unabashed client base for tattoos. The skins of counter-culture groups like the black resistance, gay liberationists, and women’s rights advocates were adorned with tattoos embodying their identities of dissent. It is this steadfast spirit of rebelliousness—a vocal discontent with the status quo—that courses through the veins, and ink, of Indomito.
(First published in Forever More: The New Tattoo) 'Tattooing is my best friend and my worst enemy. I used to pride myself on my short and long term memory but now I literally can't remember anything about the film I avidly watched last night, but, I can tell you James' appointment in January 2019 needs extending because he wants to add a tiny dismembered leprechaun to his right arm, just below the elbow… That's fucked up.' Although, she’s quick to add, an incredibly evolutionary state of being when it comes to her tattooing.
(Published in VICE 14/11/2018) With a history purportedly stretching back into the late 1800s, The Number is one of the world's oldest gangs, maintained with an intricately complex hierarchy that spans across three factions—the 26s, 27s, and 28s. Photojournalist Luke Daniels used his friendship with one high-ranking insider to photograph members and their tattoos.
London based tattooist Eli and Polish-born tattooist Adam Curly share their respective heavy blackwork journeys: “I’ll never be same again after this—tattooing solid black is a very spiritual thing, for me anyway. It rips apart from emotions. The pain in some parts is unbelievable and leaves you speechless for days sometimes. You can feel sick, faint, or you can feel happy and blissful. You never know what you’re gonna get.”
(abridged version published in VICE, 19/03/18) JILF, a self-described nihilist and practicing dominatrix, orchestrates painful and subversive acts with her partners with the aim of eliciting trauma and embracing disgust; her partners regularly refrain, “today, I will suffer for your art.”
“One of the things I love the most is I’ll play with my partner and do things to her that evoke disgust. She’ll be covered in filth, her mouth full of tampons and blood, she’s covered in shit and her heads all wrapped up; she’s crying, and she’s distraught, and everything’s so disgusting—everything’s just out. That blows my brain.”
(Published in DAZED & CONFUSED, 13/12/17) MoMA's recent exhibition, Items: Is Fashion Modern? declared tattoo an influential item among 111 garments and accessories shaping culture and society. I speak to the L.A artist chosen to illustrate tattoo, Roxx, on the paradoxical and multifaceted nature of contemporary tattoo.
Although tattoos in the West are becoming increasingly mainstream, the pain accompanying a session usually remains something to be tolerated at best, or completely mollified through the consumption of analgesics at worst. So when people began actively seeking out the painful ritual of a Brutal Black tattoo session, I contacted them to find out more about why they chose to engage with amplified tattoo pain.
"Modern-day passion, tangible tradition, and striking creativity: trace how tattooing continues to evolve in the follow up to Forever." Read extracts from my articles featured in FOREVER MORE: The New Tattoo, including interviews with Kelly Violet, Miriam Frank, Indomito, the Brutal Black Project and Expanded Eye. Purchase discounted copies of Forever More here.
(First published in VICE 06/07/17) Respectively raised in the suburbs of the Gold Coast and Perth, the couple longed for something with more danger and glamour, so, naturally, after meeting one another they combined their hearts and skills to saturate the world with their idiosyncratic aesthetic of "demented sparkling" performance art.
(First published in INKED, issue 45) When forensic inquiry is applied to tattoos, it can assist in the identification or capture of criminals or missing persons. The Forensic Analysis of Tattoos and Ink is a pioneering work detailing the methodology of this process. This is an interview with the book's author, Dr Michelle Miranda.
Love Shakthi Om, to be launched in the first week of May, will produce limited works of art to be sold with profits donated to charity. "We strongly believe this life is about karma, sharing love, traditions, and cultures. For us, this is largely based in art."
(VICE online 25/04/17) This is one of the most brutal experiences one can imagine in the field of tattooing, where wills are either broken or solidified. This is the Brutal Black Project, and they’ll “ruin your life”.
In this second installment of the 'Interview with the Editor' series, where editors of some of the most influential tattoo publications share their two-cents, Alice Snape, editor of Things&Ink, talks about her journey as an independent publisher of a female friendly tattoo culture publication.
"I bought a load of tattoo magazines for inspiration. Needless to say none of them appealed to me, they were very much aimed at men and none of them featured tattoos that I like or would suit me and my tastes. They were also all very much geared towards men, with half naked women legs apart with barely any tattoos on the cover."
(Abridged version first published in DAZED & CONFUSED magazine, 03/03/17) Touka Voodoo has actively used body art and modification to transcend the notion of binaries.
In this first installment of the Interview with an Editor series, head honcho of Skin Deep, Sion Smith, offers advice for writers, photographers, and tattooists looking get published, while discussing life at the helm of the UK's best selling tattoo magazine.
"For writers, be original, spell things correctly (I have better things to do than watch your back), be on time, be nice to work with and don’t be a dick."
Milo's comments embracing the positives of a legal, consenting relationship between a teenage boy and older man were labelled pedophilia. So I ask three male friends to share their teenage sexual encounters with older men.
(First published in Skin Deep, issue 275. Republished in INKED, issue 45) Ahead of VICELAND’s 2017 series, Needles and Pins, Grace talks about her experiences in front of the lens, riding around LA on quad bikes with Venice Bad Boys, and what it’s like to be an ambassador for contemporary tattoo culture.
(First published in INKED, issue 45) Currently in her third permutation of a body suit, New Zealand based artist Jak Nola talks about her psychedelic erotic art, tattoos, and what an orgasm can do for the mind.
(Abridged version first Published in The Guardian, 23/11/16) Lying in a satin-lined coffin or wearing a bondage hood may help you face up to your inevitable demise. I attend the inaugural Sydney Death and Dying Festival to get a taste of what's to come.
(Published in INKED issue 42) “That was Ricky’s right above Pinky’s. That’s because Pinky’s had a hepatitis scare and the American navy had banned them from going there, so he just opened upstairs and called it Ricky’s. It was two shops but it was the same. They just liked names that had that “icky” sound and I just happened to be there at the right time.”
(VICE online, 27/09/16) "Isaac Comer was heavily tattooed including on his cock. Henry Findlay was tattooed on his chest, arms, hands, fingers, calves and from his knees to his groin 'after the Burmese manner’. Henry was a soldier, court-martialled in Burma, so presumably he got some pretty wild tatts during service." Discover a rich history of colonial stick & poke tattoos and wild convict stories with Simon Barnard, author of the new book Convict Tattoos: Marked Men and Women of Australia.
(INKED magazine, issue 39) On February 26th, I presented an exhibition of tattooed silicone hands and sheets at Melbourne's Neon Parlour. All profits from the sale of these works went to SafeSteps and WIRE, two Melbourne based organisations dedicated to providing support to women and children experiencing domestic violence.
(INKED magazine, issue 35) 'Tattooing in the Islamic Republic (dictatorship) of Iran' is the culmination of furtive correspondence with four brave Iranian tattooists who risk imprisonment and torture on a daily basis all for the sake of their art.
(Things & Ink, issue 10) "Tattooing is conducted during the vigil. Beside the body the near family sing the deceased's history in a rhythm made of tears. While clusters of cousins drink and gamble in little pockets of light about the village, as the ancestors one by one arrive from their graves to receive the spirit of the newly dead, as the animals set aside to die in the morning shuffle blandly, a select few receive tattoos."
(Things & Ink, issue 12, abridged on VICE online) What began as an intellectual interest in body modification within the context of BDSM ended with 250mls of saline infused into my scrotum and 500mls infused into my girlfriend's breasts.
(Things & Ink, issue 11) "I think it’s a real big kick and liberation once you’ve put on a face and the costume and you go out in public. You become a character, a different person, and so people respond to you differently, and so I can take it on and enjoy whatever it is that could potentially serve me, which is completely different every time."
My scrotum is a thin sack of skin that contains part of my reproductive system. Insert a needle, add a litre of saline, and it is apparently transformed into a serious fun bag.