Following the success of Forever: the new tattoo, Berlin based publisher Gestalten bring us their follow up, Forever More. As a contributor I have early release (out December 19) copies available at discounted rates (limit of 3 per customer, free delivery for inner Melbourne studios). I've included an extract from each article I wrote as well as the publisher's synopsis. Purchase a copy of Forever More: The New Tattoo!
Forever More: The New Tattoo
Editors: Hannah Graves & Gestalten
Format: 22.5 × 29 cm
Features: Full color, hardcover, stitch bound, 288 pages
Discounts on RRP: $120
Publisher's synopsis: Forever More covers the best of the ever-changing contemporary tattoo underground. Bold tribal motifs and gritty stick and pokes bask in a resurgence alongside the fluidity of watercolors and the deviance of Art Brut. From traditional sessions in parlors to traveling artists, Forever More celebrates tattooing's unsung heroes and contemporary celebrities.
Forever More tracks the scene's inventiveness and originality as tattoos continue to emerge from subculture obscurity. Just as the needle infuses the skin with ink, the artists profiled infuse life into current tattoo culture. In a scene where artists travel the world, often organizing appointments exclusively via social media, tattooing can be a lifestyle and a way of life. Featuring Miriam Frank, Duncan X, David Schiesser, Grace Neutral, Fidjit, Isaiah Toothtaker, and many others, Forever More explores their unique stories and iconic work whilst creating a comprehensive narrative of this dynamic and enduring scene.
There often comes a point during a long tattoo session where you begin to doubt your stamina, question your fortitude, and reconsider your choices. It is a slow crescendo to that level of psychological trepidation—the Brutal Black session, however, will get you there within minutes.
The Dilated Pupils of Expanded Eye
Jade Tomlinson and Kevin James tell stories of the human condition.
Upon starting, they work independently, a technique reminiscent of surrealist André Breton’s ‘exquisite corpse’, where artists collaborate while completely in the dark of their partner’s progress. They then come together, consult over the fragmented parts, and proceed to evolve the concept and aesthetic of the final fluid mosaic.
The Indomitable Activism of Indomito
Rebels with a cause.
Preceding the Tattoo Renaissance of the 70s and 80s, the political and social climate of activism throughout the west facilitated the birth of a new, unabashed client base for tattoos. The skins of counter-culture groups like the black resistance, gay liberationists, and women’s rights advocates were adorned with tattoos embodying their identities of dissent. It is this steadfast spirit of rebelliousness—a vocal discontent with the status quo—that courses through the veins, and ink, of Indomito.
Whales and crayons: inside the pencil case of Miriam Frank
Combining serious technique with the levity and breadth of childlike wonderment.
Whether you are a traditionalist or progressivist, Miriam represents the quintessential nature of tattooing today, where a growing number of artists from a huge variety of disciplines are learning the trade to augment their personal oeuvre, while contributing to the field of tattooing in any which way they desire.
The violent ingenuity of Kelly Violet
A testament to finding what you love and letting it kill you.
'Tattooing is my best friend and my worst enemy. I used to pride myself on my short and long term memory but now I literally can't remember anything about the film I avidly watched last night, but, I can tell you James' appointment in January 2019 needs extending because he wants to add a tiny dismembered leprechaun to his right arm, just below the elbow… That's fucked up.' Although, she’s quick to add, an incredibly evolutionary state of being when it comes to her tattooing.
(First published in Forever More: The New Tattoo) Whether you are a traditionalist or progressivist, Miriam represents the quintessential nature of tattooing today, where a growing number of artists from a huge variety of disciplines are learning the trade to augment their personal oeuvre, while contributing to the field of tattooing in any which way they desire.
(First published in Forever More: The New Tattoo) Upon starting, they work independently, a technique reminiscent of surrealist André Breton’s ‘exquisite corpse’, where artists collaborate while completely in the dark of their partner’s progress. They then come together, consult over the fragmented parts, and proceed to evolve the concept and aesthetic of the final fluid mosaic.
(First published in Forever More: The New Tattoo) Preceding the Tattoo Renaissance of the 70s and 80s, the political and social climate of activism throughout the 60s in the west facilitated the birth of a new, unabashed client base for tattoos. The skins of counter-culture groups like the black resistance, gay liberationists, and women’s rights advocates were adorned with tattoos embodying their identities of dissent. It is this steadfast spirit of rebelliousness—a vocal discontent with the status quo—that courses through the veins, and ink, of Indomito.
(First published in Forever More: The New Tattoo) 'Tattooing is my best friend and my worst enemy. I used to pride myself on my short and long term memory but now I literally can't remember anything about the film I avidly watched last night, but, I can tell you James' appointment in January 2019 needs extending because he wants to add a tiny dismembered leprechaun to his right arm, just below the elbow… That's fucked up.' Although, she’s quick to add, an incredibly evolutionary state of being when it comes to her tattooing.
(Published in VICE 14/11/2018) With a history purportedly stretching back into the late 1800s, The Number is one of the world's oldest gangs, maintained with an intricately complex hierarchy that spans across three factions—the 26s, 27s, and 28s. Photojournalist Luke Daniels used his friendship with one high-ranking insider to photograph members and their tattoos.
London based tattooist Eli and Polish-born tattooist Adam Curly share their respective heavy blackwork journeys: “I’ll never be same again after this—tattooing solid black is a very spiritual thing, for me anyway. It rips apart from emotions. The pain in some parts is unbelievable and leaves you speechless for days sometimes. You can feel sick, faint, or you can feel happy and blissful. You never know what you’re gonna get.”
(abridged version published in VICE, 19/03/18) JILF, a self-described nihilist and practicing dominatrix, orchestrates painful and subversive acts with her partners with the aim of eliciting trauma and embracing disgust; her partners regularly refrain, “today, I will suffer for your art.”
“One of the things I love the most is I’ll play with my partner and do things to her that evoke disgust. She’ll be covered in filth, her mouth full of tampons and blood, she’s covered in shit and her heads all wrapped up; she’s crying, and she’s distraught, and everything’s so disgusting—everything’s just out. That blows my brain.”
(Published in DAZED & CONFUSED, 13/12/17) MoMA's recent exhibition, Items: Is Fashion Modern? declared tattoo an influential item among 111 garments and accessories shaping culture and society. I speak to the L.A artist chosen to illustrate tattoo, Roxx, on the paradoxical and multifaceted nature of contemporary tattoo.
Although tattoos in the West are becoming increasingly mainstream, the pain accompanying a session usually remains something to be tolerated at best, or completely mollified through the consumption of analgesics at worst. So when people began actively seeking out the painful ritual of a Brutal Black tattoo session, I contacted them to find out more about why they chose to engage with amplified tattoo pain.
"Modern-day passion, tangible tradition, and striking creativity: trace how tattooing continues to evolve in the follow up to Forever." Read extracts from my articles featured in FOREVER MORE: The New Tattoo, including interviews with Kelly Violet, Miriam Frank, Indomito, the Brutal Black Project and Expanded Eye. Purchase discounted copies of Forever More here.
(First published in VICE 06/07/17) Respectively raised in the suburbs of the Gold Coast and Perth, the couple longed for something with more danger and glamour, so, naturally, after meeting one another they combined their hearts and skills to saturate the world with their idiosyncratic aesthetic of "demented sparkling" performance art.
(First published in INKED, issue 45) When forensic inquiry is applied to tattoos, it can assist in the identification or capture of criminals or missing persons. The Forensic Analysis of Tattoos and Ink is a pioneering work detailing the methodology of this process. This is an interview with the book's author, Dr Michelle Miranda.
Love Shakthi Om, to be launched in the first week of May, will produce limited works of art to be sold with profits donated to charity. "We strongly believe this life is about karma, sharing love, traditions, and cultures. For us, this is largely based in art."
(VICE online 25/04/17) This is one of the most brutal experiences one can imagine in the field of tattooing, where wills are either broken or solidified. This is the Brutal Black Project, and they’ll “ruin your life”.
In this second installment of the 'Interview with the Editor' series, where editors of some of the most influential tattoo publications share their two-cents, Alice Snape, editor of Things&Ink, talks about her journey as an independent publisher of a female friendly tattoo culture publication.
"I bought a load of tattoo magazines for inspiration. Needless to say none of them appealed to me, they were very much aimed at men and none of them featured tattoos that I like or would suit me and my tastes. They were also all very much geared towards men, with half naked women legs apart with barely any tattoos on the cover."
(Abridged version first published in DAZED & CONFUSED magazine, 03/03/17) Touka Voodoo has actively used body art and modification to transcend the notion of binaries.
In this first installment of the Interview with an Editor series, head honcho of Skin Deep, Sion Smith, offers advice for writers, photographers, and tattooists looking get published, while discussing life at the helm of the UK's best selling tattoo magazine.
"For writers, be original, spell things correctly (I have better things to do than watch your back), be on time, be nice to work with and don’t be a dick."
Milo's comments embracing the positives of a legal, consenting relationship between a teenage boy and older man were labelled pedophilia. So I ask three male friends to share their teenage sexual encounters with older men.
(First published in Skin Deep, issue 275. Republished in INKED, issue 45) Ahead of VICELAND’s 2017 series, Needles and Pins, Grace talks about her experiences in front of the lens, riding around LA on quad bikes with Venice Bad Boys, and what it’s like to be an ambassador for contemporary tattoo culture.
(First published in INKED, issue 45) Currently in her third permutation of a body suit, New Zealand based artist Jak Nola talks about her psychedelic erotic art, tattoos, and what an orgasm can do for the mind.
(Abridged version first Published in The Guardian, 23/11/16) Lying in a satin-lined coffin or wearing a bondage hood may help you face up to your inevitable demise. I attend the inaugural Sydney Death and Dying Festival to get a taste of what's to come.
(Published in INKED issue 42) “That was Ricky’s right above Pinky’s. That’s because Pinky’s had a hepatitis scare and the American navy had banned them from going there, so he just opened upstairs and called it Ricky’s. It was two shops but it was the same. They just liked names that had that “icky” sound and I just happened to be there at the right time.”
(VICE online, 27/09/16) "Isaac Comer was heavily tattooed including on his cock. Henry Findlay was tattooed on his chest, arms, hands, fingers, calves and from his knees to his groin 'after the Burmese manner’. Henry was a soldier, court-martialled in Burma, so presumably he got some pretty wild tatts during service." Discover a rich history of colonial stick & poke tattoos and wild convict stories with Simon Barnard, author of the new book Convict Tattoos: Marked Men and Women of Australia.
(INKED magazine, issue 39) On February 26th, I presented an exhibition of tattooed silicone hands and sheets at Melbourne's Neon Parlour. All profits from the sale of these works went to SafeSteps and WIRE, two Melbourne based organisations dedicated to providing support to women and children experiencing domestic violence.
(INKED magazine, issue 35) 'Tattooing in the Islamic Republic (dictatorship) of Iran' is the culmination of furtive correspondence with four brave Iranian tattooists who risk imprisonment and torture on a daily basis all for the sake of their art.
(Things & Ink, issue 10) "Tattooing is conducted during the vigil. Beside the body the near family sing the deceased's history in a rhythm made of tears. While clusters of cousins drink and gamble in little pockets of light about the village, as the ancestors one by one arrive from their graves to receive the spirit of the newly dead, as the animals set aside to die in the morning shuffle blandly, a select few receive tattoos."
(Things & Ink, issue 12, abridged on VICE online) What began as an intellectual interest in body modification within the context of BDSM ended with 250mls of saline infused into my scrotum and 500mls infused into my girlfriend's breasts.
(Things & Ink, issue 11) "I think it’s a real big kick and liberation once you’ve put on a face and the costume and you go out in public. You become a character, a different person, and so people respond to you differently, and so I can take it on and enjoy whatever it is that could potentially serve me, which is completely different every time."
My scrotum is a thin sack of skin that contains part of my reproductive system. Insert a needle, add a litre of saline, and it is apparently transformed into a serious fun bag.
(Things & Ink, issue 10, republished in INKED magazine, issue 31) "Most people understand that taxidermy is done with the leftover skins, and so it is separate from the live-animal debate, and the leather/fur debate, which uses farming. Animals are not objects, but taxidermy pieces are objects. If taxidermy is made into art for art’s sake, there is still the beauty and appreciation of the animal and the art, so it really isn’t for nothing."